1 was distinctly a strong up, the first pancake that you put on the griddle and discard because it is all kinds of lopsided. It was experimental to say the least. Considering how bare the low half was, Body Talk Pt. 2 (which will be released in September) sounds like a masterpiece, especially when the fantastic, "In My Eyes" pounces on in. There are cheeky snarky lyrics abound that spice up the platter, plenty of infectious blips and beeps of synth work to support your ears busy, not to observe a more cohesive flow that sounds less lenient and more honest. Still it's not all roses, just redeemable. Let me talk some more nearly "In My Eyes" which wants to be on the Miami Vice soundtrack.badly. It is infested with synths, tumbling drum machines and , it's all 80's and totally great. It is shockingly much more exciting than "Dancing On My Own" and makes all my sythn dreams come true.In My Eyes "Include Me Out" has a quasi-90's pop feel to it, almost wish it belongs on 1998's My Truth. Yes, I can't let 90's Robyn go, but it viciously sounds like it was a B-side from that era that got spruced up, but it is infectious."Criminal Intent" sounds like something Christina Aguilera should get done on Bionic, but I probably would've slashed her for it. It's rooted in a punchy hip-hop staunch, and it sounds like it would fit on American radio perfectly. I scarily can hear Nicki Minaj guest star on a remix of this.and don't suppose I enjoyed thinking that, but even the call has a very dirty pop quality that is appealing. "Love Kills" nags it's way into being good, its a small field in the composition, but it sprints around and . Love Kills We've covered the reason that is "Bent With Me", and it is without a doubt another gem in Robyn's song catalog, it has a real end-of-summer smoothness to it. Body Talk Pt. 2 begins to have a dive when "We Dance To The Beat" tries to convert me that it's some avant garde dance chant, but it borders on annoying after awhile. The whip is the insufferable "U Should Know Better" which features Snoop Dogg and it kind of leaves a bitter taste behind. So six out of eight tracks (the acoustic "Indestructible" will no doubt get a dance treatment on the 3rd set) isn't a reliable disappointment, it's only the album as a totally still feels a little distant, with a welter of good, semi-good and terrible ideas bounced around. This is kind of the pledge of the Body Talk project, it only feels disjointed. Now that Body Talk Pt. 2 is around, we have 16 songs to form through, and you can well get your own Body Talk super album. This is variety of Choose Your Own Adventure book treatment is what happened with Kylie Minogue's X from 2007. There were so many leaked tracks, and so many hated album tracks, that fans just made their own album. Something that shouldn't have to be done, but in this day n' Internet age, it's an inventive way to go, especially if you get a lot of songs to tamper with on a playlist. The Body Talk project seems like it's release to deliver the same circumstances as X.it's loss to be reorganized, remixed and revamped to the spot where it will be your own personal Robyn album. Still some expression of a cohesive album is lost due to the numerous alterations you can work to it. But I think that is the whole point. We'll see how my thought of this supposed tatic fares when the 3rd and last start of the Body Talk trilogy, Speak Your Body: Body Talk Pt. 3 drops in store later on this year.
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